But if you’re aiming for a good crying this Valentine’s, you’re sure to find the perfect fit amongst them. Starring Carole Bouquet, Ángela Molina, Fernando Rey, Milena Vukotic Mateo is a snide, privileged bourgeois who piggishly thinks men should "own" women. It's not really about who's right and who's wrong but more of a sharp reminder of how destructive and futile it is to idealise a person in order to love. Mathieu( Fernando Rey) makes the mistake of thinking that his inclination towards possessiveness is a sign of love. There is nothing romantic about this, although we might be mistaken to think it because of the beautiful scenery and the longing, lingering stares and the shots revealing the seductive nature of Conchita. That Obscure Object of Desire (Luis Buñuel, 1977, Studio Canal, 15) 'A marvellous finale to a great career': Carole Bouquet and Fernando Rey in Buñuel's That Obscure Object of Desire. (Without a warning, Coach Buñuel will substitute spicy Spanish senorita Angela Molina in for QB Bouquet.) But, similarly to how he put us into the shoes of his upper class citizens in The Discreet Charm of the Bourgeoise, Bunuel’s intent is arguably to once again pull us in his orbit and ensure we experience the frustration of his characters. That Obscure Object of Desire is a frequently unsettling treatise on the quixotic nature of lust and love. There's, you know, the central plot, a story about an old man and a much younger woman and their various romantic entanglements; there's the framing device, the fact that our protagonist, the much older man, is telling this story to a group of passengers he just met on a train car; and there's the violent environmental backdrop, the constant references to acts of terrorism and encounters with criminal activity. What he's in love with is a projection of Conchita--an unquenchable, independent, sexually potent virgin whose cherry is waiting to be plucked--and not at all who she is as a far more interesting being: a mercurial, tempestuous, two-sided walking contradiction. Cet obscure objet du désir/That Obscure Object of Desire (1977 France/Spain 102 mins). She/They. After dumping a bucket of water on a beautiful young woman from the window of a train car, wealthy Frenchman Mathieu, regales his fellow passengers with the story of the dysfunctional relationship between himself and the young woman in question, a fiery 19-year-old flamenco dancer named Conchita. This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. 1977 Directed by Luis Buñuel. Obscure Objects of Desire: A Jam Session on Non-Narrative By Raymond Durgnat, David Ehrenstein and Jonathan Rosenbaum. Bio: I´m an aspirent to be a film student in Mexico so yeah, I like starving. What does that even mean? This is a story about obsession and to a larger degree, psychoanalysis. Adapted from Pierre Louÿs’ 1898 novel ‘Le Femme et le Pantin’, That Obscure Object of Desire marked Bunuel’s final film. You need trust. More details at But during the course of 100 minutes, this mundane reality (i.e., what human beings conceive as "reality") is subtly subverted by Buñuel. Appropriate for a film about the emotional detachment of its characters, there is not much emotional investment into the story. Here, Buñuel taps into a universal truth: the tensions that exists between idea and practice, between the conceived image and the tangible reality, between the abstract and the concrete. I can handle the truth. Dec We think it means "so crazy that it couldn't possibly be real." Film terakhir Buñuel nampilin karakter Conchita dalam 2 aktris, satunya aktris Prancis dan satunya aktris Spanyol. If your review contains spoilers, please check the Spoiler box. ¿Es una sátira? Mobile site. Creo que sí. Why do we follow this passerby? That is a glaring omission and is absolutely necessary to point out at the beginning. It occurs in Belle de Jour (when Bunny tracks the feet of Catherine Deneuve for no apparent reason) and occurs here when the camera stops following our lead characters, pans right, and follows a random passerby carrying a sack walking down the street. Bouquet/Molina teases the hapless Mateo (Fernando Rey) all throughout the picture with their unspeakably abstract beauty. In-Cine Compañía Industrial Cinematográfica, The 1001 Greatest Films, ranked as objectively as possible, The 100 Greatest Documentaries, ranked as objectively as possible, Every Film Ever Nominated For An Academy Award In Any Category. And so, on a note both calm and sly, begins Luis Bunuel’s “That Obscure Object of Desire.”. When I wrote my MA Thesis on film theory, this movie is essentially what it all comes down to. En si la siento como una comedia. It's fan-made!Song used for my video is I Know What You Want by !DelaDap. I don't know how Buñuel does it, but he once again subverts my entire concept of reality with the nonchalance of a cool-cucumber grandpa. That Obscure Object of Desire is simply sexy and entertaining. However, what I got from it was blistering tale of deceit and manipulation through the…. But in this one line, we get a sense that the teasing is for a reason. 23. That Obscure Object of Desire is simply sexy and entertaining. All was well, until that climax.. WTF.. hitting a woman like that, oh get the fuck Outta here.. there is no better man than bunuel to provide the feeling of MALE IMPOTENCE without any physical dysfunction. Russia. But the Surrealists (Breton, Dali, Buñuel, et al.) These are the questions that keep me up at night. So says Conchita, the mercurial-virginal Spanish dancer mysteriously played by two women in Luis Buñuel's final masterpiece Cet Obscur Objet du Désir. Not an official trailer for That Obscure Object of Desire. WRITE A REVIEW NO, THANK YOU. conceived their movement as promoting art that was "beyond the real," or, more provocatively, "more real than real." The most wonderful moment in a Buñuel comes when he's following a main character....and his camera will suddenly and fetishistically focus on an element that seemed innocuous but has now become an object of unwarranted attention. What follows is a tale of cruelty, depravity and lies -- the very building blocks of love. No sé si Conchita estaba siendo seria o no, pero lo que sí me dio cosa fue el intenso acoso del viejo, ew. In a way, I'm not on board with this on a fundamental level: the idea of the "battle of the sexes" bores…, I was kind of set up to be skeptical of this, but damn if Bunuel didn't win me over. The heading should say that That Obscure Object of Desire was Bunuel's last film. both the WILD CONCHITA and PURE CONCHITA create the full picture of female beauty in male fantasy while ironically the PROTAGONIST, like we as the passive onlookers, can never possess both at the same time. When you don't know what you want but you want it regardless, that's the natural conclusion presented in That Obscure Object of Desire. Review this Movie. The annuls of time have solidified Spanish filmmaker Luis Buñuel the title of film artists and That Obscure Object of Desire would be his last feature, and about as smart a last feature a man could hope to have. Carole Bouquet Ángela Molina Fernando Rey Milena Vukotić Julien Bertheau André Weber María Asquerino Valerie Blanco Auguste Carrière Antonio Duque Ellen Bahl André Lacombe Muni Bernard Musson Piéral David Rocha Isabelle Sadoyan Jean-Claude Montalban Juan Santamaría Mario David Agnès Gattegno Silke Humel Roger Ibañez Richard Leduc Guy Montagné Jacques Debary, Luis Buñuel Jean-Claude Carrière Pierre Louÿs, Guy Villette Gina Pignier Jacqueline Porel Olivier Villette, In-Cine Compañía Industrial Cinematográfica Greenwich Film Production Les Films Galaxie, 欲望的隐晦目的, Esse Obscuro Objeto do Desejo, Ese Oscuro Objeto del Deseo, 욕망의 모호한 대상, 103 mins   When we talk of "surrealism", we often forget the Surrealists' original intention of the word. 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