In practice this means stunning sharpness and excellent contrast – not to mention very smooth and natural-looking bokeh due to the 9 rounded aperture blades. Of course, the 12-24mm also lacks the G-Master’s faster aperture and pro-level spec. With that said, while we might imagine that quality control would be very stringently enforced, this lens is known to vary somewhat in performance between samples. Just as well, then, that the majority of images you shoot with this lens will likely be sharply focused from foreground to infinity – meaning that you simply won’t notice any bokeh anyway. It works for landscapes, architecture, walking-around, the occasional portrait, and plenty more. And precisely which focal length and features you should go for will depend in large part on your specific photographic needs. So precisely which lens you should go for will in large part depend on your own particular technical needs and shooting style. I blog and publish articles about camera lenses here at lensguide.io. And when it comes in such a small and lightweight package as this, but with a nice fast maximum aperture of f/2, the result is a supremely useful lens. Best Macro Lenses for Sony a7R III. As for avoiding the common trap of zooming when you should merely be taking a step backwards or forwards, well, this ultimately down to the photographer. After a few months of really testing out the camera, I’ve come up with a list of the absolute best Sony A7iii accessories that have helped me accomplish shoots in a reliable and professional manner. Perhaps the king of low-budget, quality glass is Samyang, who lenses are also branded as Rokinon. At the very least, anyone considering the GM should think twice before putting down their money. In reality though, the best wide angle lens for the Sony a7III is simply the right wide angle lens for your photography. You can use Full-Frame FE-mount lenses on APS-C Sony E-Mount cameras, and this will give you a 1.5x crop of the lens. The glass is still sharp and luckily this focal length doesn’t have too many issues with distortion. There’s really not a lot about the Sony 16-35mm f/2.8 GM that is deserving of negative criticism. With that said, zooms are of course very handy. Especially if you can buy a perfectly good lens with a maximum aperture of, say, f/4 or f/5.6 for a fraction of the price – as indeed is often the case. I think I would have to call out the Sony 20mm f/1.8 since it is looking like an amazing performer. Weather sealing, however, is a very welcome addition. There are also plenty of very affordable ways to enter the Sony ecosystem, with the A7III being the best bang for the buck nowadays. Save my name, email, and website in this browser for the next time I comment. Bokeh, too, is far superior here; owing to a full 11 aperture blades. Indeed, the umbrella term “wide angle” actually covers rather a broad range of focal lengths; from the decidedly reserved 35mm lens through to a full-on fish-eye that will make anything it’s pointed at look like a poster for a Fillmore “love-in” circa 1967. Top 7 Best Portrait Lenses for Sony a7III. However, many who earn their living from photography – and indeed many who do not – look upon such lenses as somewhat gimmicky. As we’ve just seen though, wide angle lenses tend to struggle to blur the background at all. 1. Best Sony lenses 2021: 16 top lenses for Sony mirrorless cameras By Matthew Richards , Amy Davies 23 July 2020 There's now a E-mount lens to suit pretty much any occasion While few photographers will complain about the relatively fast maximum aperture of f/2.8, the extra optics required to achieve this makes for a strikingly large lens. Best Lens For Sony a7iii: Final Thoughts. Thankfully, though, Zeiss has managed to keep weight rather more under control than bulk. It’s also lighter and more compact than the GM, and yet offers the same relatively fast constant maximum aperture of f/2.8. Additionally, Sony is not lacking for landscape lenses. For most other photographers though, a prime lens will usually be the better option. Variable ND Filters Compared // Is PolarPro's PMVND the Best? Manual focusing is smooth and well-dampened. As here some background blur will likely be achievable; particularly when photographing a subject up close. Objectively the G-Master might be the better lens, but certainly not over two-times better! Weighing in at less than 192g, this lightweight, high-performance lens features a new optical design and delivers all the benefits of a wide aperture prime lens: beautiful, crisp imagery with smooth, circular bokeh for the out-of-focus areas. But if you detect the slight hint of reservation in this opening paragraph, it’s simply because this unarguably fine piece of glass comes as quite a hefty investment. That’s right, the 55mm f/1.8 is getting long in the tooth… And if head-spinning, stomach-churning, horizon-bending perspective is your thing, don’t let anyone tell you otherwise – least of all some random stranger on the internet. The Sony A7iii has been my best photography purchase this year and I’ve captured some amazing moments since I’ve got it. The Batis 18mm’s primary appeal simply lies in the incredible image quality and detail it is capable of producing. Instead, if you are to make a serious evaluation of a lens’s optical performance, you will need to see examples shot at a variety of different aperture settings, and to check for fall-off in resolution towards the edges of the frame – particularly at faster apertures. Aside from this, though, there are a number of important considerations that anyone considering purchasing a wide angle lens for the a7III would do well to take into account. Sony 12-24mm F4 - Our choice; Sony 16-35mm F2.8 - Wide-angle lens; Sony 24mm F1.4 - Compact prime lens; Sony FE 85mm f/1.4 - Full-frame G Master telephoto prime lens; Sony 85mm F/1.8-22 - Budget; Sigma 70mm F2.8 - The best macro lens; Sony 100-400mm F4.5–5.6 - High-end telezoom for professional use Sony FE 20mm f/1.8 G. Earlier this year Sony launched the Sony FE 20mm f/1.8 G lens. Camera filters are simple accessories that can make a big impact on the quality of your photos -- if you don't buy a dud. Of course, 12-24mm is a pretty extreme range, and will be of only limited use to most photographers. Required fields are marked *. If you are looking for some help in deciding what your next lens or lenses should be you should check out this video where photographer/filmmaker Stefan Malloch showed off his five favorites. OK, the above advice is meant somewhat tongue-in-cheek. Indeed, photos shot with this lens are supremely sharp, even when the lens is used at its widest aperture setting. Or rather, images that are nicely sharp in the center of the frame. Overall, this is truly a lovely lens. Nonetheless, those happy to go with either a third party offering or a wide angle prime lens from Sony itself will find plenty of suitable options among the current line-up. It’s hard to beat the 100-400mm f/4.5-5.6 for its zoom range and optical quality. However, when it comes to wide angle lenses, noob photographers and chronic GAS (gear acquisition syndrom) sufferers often equate wider with better. Especially for those photographers who lack legs. It’s the most responsive and versatile lens on review, and its price is reasonable to boot. For those seeking an ultra-wide angle lens for the a7III, the 12-24mm offers both a wider and cheaper option than the pricey 16-35mm GM. Where the a7III can become more costly, however, is in purchasing suitable lenses. However, there are also several genres of photography where the fastest aperture settings of even a relatively slow lens are unlikely to see much use. It also happens to be very small and lightweight compared to most other lenses of this focal length. Still. Perhaps even a necessity. Photo: Sony As the most expensive lens on this list, we’re now into the realm of weather sealed lenses. There are dozens of lenses from third-party manufacturers, there are dozens more dedicated Sony lenses, and there are tons of variations between zoom lenses, macro lenses, lenses better suited to astrophotography, portrait lenses, and the list goes on. The FE 28mm displays excellent center sharpness at f/2, but with some loss of clarity at the edges. Another option is the S&S correction lens which improves the corners by about 2 stops.they are made in 77mm and 82mm size and assist with the lens focusing on the virtual image in the corners. Sony FE 24mm f/1.4 GM ($1,398): Highly recommended!Combining a favored wide-angle focal length with an especially bright design, the FE 24mm f/1.4 GM from Sony is a fast, versatile lens well-suited … Let’s start this review off with one of the sharpest lenses ever produced… all the way back in 2013! We have previously discussed some of the best Sony full-frame lenses in the zoom category. For others, though, it will be an unjustifiable and entirely avoidable expense. However, some degree of separation is achievable here when shooting up close and wide open. So for those in need of a lens wide enough to cover most landscape and interior scenarios, yet also fast enough to be of use in lower-light situations, the 16-35mm f/2.8 GM can make for a highly appealing alternative to both the 12-24mm and Sony’s Tessar T* 16-35mm f/4. But as this is a guide to wide angle lenses for the Sony a7III, it seems safe to assume that you are already well covered for stabilization. As with any creative pursuit, though, photography is a highly personal endeavor. 00 Consequently photographers working in genres ranging from documentary to portraiture and from astrophotography to sports – and a whole lot else besides – tend to purchase the fastest lenses they can afford. First though, let’s take a look at a bunch of the main contenders – covering options for every budget. Sony Vario-Tessar T* FE 16-35mm f/4 ZA OSS Lens (B&H, Amazon). Sony’s option is the 90mm f/2.8, and I can verify from personal experience that it is amazing. Malloch loves this one – even over the Sigma- because it is a great combination of price, sharpness, and focus performance. Bokeh is never going to be a consideration of much importance when purchasing a lens this wide. Indeed, when the 24mm GM was released, many were skeptical that a 24mm at this price point – and of such discrete dimensions – could possibly deliver the pro-level image quality Sony promised. Order Links:eval(ez_write_tag([[300,250],'4kshooters_net-leader-1','ezslot_5',147,'0','0'])); Claim your copy of DAVINCI RESOLVE 16 - SIMPLIFIED COURSE with 50% off! That being the case, zooming to a different focal length is not a valid alternative to simply moving closer or further away from the subject. This is to be expected. As zooms are effectively several lenses in one, manufacturers need to pack in a lot more in the way of optics. Sony’s a7III offers pro-level features and stunning image quality for not much more than the cost of a consumer camera. - … However, you will want to double check your copy to make sure it is working right since those low prices don’t come with the best quality control. And for those trying to achieve a shallow depth-of-field, fast maximum aperture takes on a whole extra degree of importance when considering wide angle lenses. K&F Concept 62mm Fader ND Filter Without Cross, Neutral Density Variable Filter ND2 to ND32 for Camera Lens NO X Spot,Nanotec,Ultra-Slim,Weather-Sealed 7/10 We have selected this product as being #7 in Best Nd Filter Sony A7iii of 2020 Seen in this light, Tamron’s offering is a very serious contender for the title of best wide angle lens for the a7III – at any price point. Here's a lens filter size chart for Sony E Mount and A Mount lenses. So what are the best camera filters for DSLRs and mirrorless cameras? But the wider the focal length, the less the lens will amplify vibrations. eval(ez_write_tag([[580,400],'4kshooters_net-large-leaderboard-2','ezslot_4',146,'0','0']));4. Samyang/Rokinon AF 85mm f/1.4 Lens (B&H, Amazon). 1. Lensguide.io is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com. Hope you find them helpful, don’t hesitate to leave a comment! Since the Sony a7iii is a touch screen, the performance quality can get degraded rather quickly if the proper protection is not used on it. Want to photograph the Milky Way or other nightscapes? Sony FE 90mm f/2.8 Macro G OSS Lens (B&H, Amazon). Indeed, while the 24mm GM doesn’t boast the extreme angle of view of, say, the Batis 18mm (below), what you gain instead is an extra stop of light-gathering abilities; highly appealing for both night-sky shooters and reportage photographers alike. All lenses tend to perform their best in terms of sharpness once stopped down a few clicks from maximum aperture. 1. What’s more, there’s very little in the way of comatic aberration, so when combined with it’s very fast maximum aperture, it’s obvious that this is one of the best lenses currently available for astrophotography. The widest lens currently available for the Sony a7III, the 12-24mm is very sharp across the frame from f/5.6 onward. Get Instant Access! Some of the best Sony Prime lenses include: Sony 50mm f/1.8. In itself, though, this aperture is also something of a selling point; as most lenses of such a wide focal length tend not possess overly impressive light-gathering abilities. In fact the 16-35mm f/2.8 is considerably more expensive than the FE 12-24mm f/4 (above), despite offering a shorter angle of view. A change of focal length will affect photographic outcomes in a number of ways beyond merely showing more or less of the scene; for a start, it will alter both perspective and depth of field. It wasn’t long ago that people were complaining there wasn’t a mid-range f/2.8 zoom for Sony. This not only means the degree to which a background is blurred, but how it is blurred. Your email address will not be published. It is a very good mix of focal lengths and types and even includes some third-party options if you are looking beyond the pricier Sony-made optics. A third! Now there are at least three options. Autofocus works brilliantly (and silently), too. The one noticeable exception being an LCD focusing scale for use with its (focus-by-wire) “manual” focus ring. Zoom lenses are highly convenient. Categories: Filters, Lenses Tags: Sony Last updated about 11 months ago // Originally published about 11 months ago There isn’t much third-party competition at these focal lengths and native glass is always going to guarantee perfect focusing performance with your camera. With that said, though, the Batis’s bokeh really isn’t anything to get too excited about anyway. As the range of wide angle lenses available for Sony’s fantastic Alpha 7III Mirrorless cameras rapidly expands, the task of narrowing these down to a definitive first choice becomes ever more difficult. It is a cheaper alternative to a 70-200mm lens but is more effective at gathering light. For some photographers that will be the deal breaker. There are also plenty of very affordable ways to enter the Sony ecosystem, with the A7III being the best … The lenses you choose to keep in your kit need to be functional, practical, and the best that there is to give you the full potential of your camera. In this parallel world of photography, a 16mm lens is an inherently far sexier object than a humdrum 35mm. Need to shoot handheld in low-lighting conditions? eval(ez_write_tag([[580,400],'4kshooters_net-box-4','ezslot_0',144,'0','0']));Also, for video shooters the optical stabilization is a handy feature. If you can afford it, this lens is one of the best for the range if you need something for a Sony a7III. Of course, with its wide angle of view and impressive optics, the 24mm GM will also appeal to those who shoot landscapes, interiors, action sports, and street photography. Stopping down even slightly fixes the corner problem though, and center sharpness becomes better still. And while the 12-24mm follows the bulk of Sony’s lenses in being of the “focus-by-wire” variety, manual focus action is nonetheless satisfying and precise. While an extra stop or two of aperture opening will go a long way towards compensating for this effect, be aware that even the fastest wide angle lens is never going to be able match the extremely shallow depth-of-field typically produced by a telephoto lens at even a relatively slow aperture setting. In this case, be aware that you will likely need to spend a lot more money in order to purchase a zoom lens with maximum aperture and image sharpness comparable to a prime. One of the competitors is Tamron with their 28-75mm f/2.8, which happens to be one of the smaller and lighter picks. If you wanted to criticize something I guess you can go after the fact that it is only f/4, which is fair, but for most shooting it works just fine. eval(ez_write_tag([[300,250],'4kshooters_net-box-3','ezslot_1',143,'0','0']));Sony’s full-frame mirrorless system has now been around long enough that there are too many lenses for any one person to be able to test out them all (unless that’s your job). It’s highly recommended, though it does lack the focus switches found on pricier lenses. 281 g Click here for the latest price. This being the case, bokeh is a lot less important when considering purchasing a wide angle lens than it would be with, say, a “nifty-fifty” or a portrait lens. But if you do manage to achieve some separation between foreground and background, rest assured that out of focus rendering will be perfectly attractive. It is also the most expensive lens on this list. In short, if you can stretch to the asking price, there’s really very little reason not to go with the 16.35mm GM. The word bokeh refers to the quality of out-of-focus areas of an image. Meanwhile autofocus is so beautifully fast and accurate that few people will be tempted to reach for manual control anyway. What can vary greatly is the degree to which sharpness deteriorates as you move away from a lens’s peak aperture setting. Just expect to pay handsomely for it. Indeed, optical performance is fantastic; producing images that are sharp edge to edge, even when shooting wide open. You can even use it for portraits if you want it to fill multiple spots in your bag. Most modern lenses – and certainly all those available for the Sony a7III – produce sharp images. If you start shooting details at a wedding, food, product, or anything else that may require getting a little closer than normal you will need a macro lens eventually. But with a wide array of standard lenses on offer for the a7III from both Sony and third party manufacturers, it can be difficult to know which 50mm will be best suited to your photographic needs. Conversely, a more moderate wide angle lens will still permit you to include a broad swathe of scene in the frame, but without either making the subject appear tiny or producing a heavily distorted perspective. Multicoated and featuring 12 elements in 8 groups, the 35mm f/1.4’s optical performance is nothing less than superb. While there is some color fringing at wider apertures, you’ll need to look hard to notice it. It may not be quite a “thrifty” fifty, but the maximum aperture of f/1.4 certainly makes it a “nippy” fifty. In fact the 24mm GM produces stunningly sharp photos that maintain optical standards right across the frame and throughout the aperture range. If what you are missing from your gear is a designated portrait lens a 50mm prime lens may be where you want to invest. Clearly then, if you intend to shoot almost exclusively at f-stops of f/11 or slower, spending extra money on a lens that goes to f/1.4 would make no sense at all. We’ve included a mix of Sony lenses with third-party lenses from Sigma and Tamron. Neewer 55mm Lens and Filter Accessory Kit for Nikon AF-P DX 18-55mm, A7III A7(28-70mm) A6000(16-70mm: 0.43X Wide Angle Lens, 2.2XTelephoto Lenses, UV/CPL/FLD/Filter and Macro Filter Set,etc 4.2 out of 5 stars 339 Meaning that it will never offer quite the same degree of manual control as a lens that focuses by truly mechanical means. It is a super sharp, has a surprisingly close minimum focus distance that adds to its versatility, and handles very well. Here a deep depth-of-field that sharply renders both background and foreground in splendid detail will be much more desirable. This is because the wider the focal length, the more the image is likely to be in focus from foreground to background. Meanwhile the f/1.4 aperture also makes this a versatile tool for documentary work in low light. It will appeal to everyone from landscape and interiors photographers to those shooting action sports and adventure photography. Despite the wide angle of view, nice enough bokeh can be achieved when shooting up close; even if this tends to be a little on the busy side. Top 9 Lenses for Sony a7III. As a general rule, the faster the maximum aperture a lens offers, the higher the asking price. Yet many inexperienced photographers use their zooms in precisely this manner. Beyond being an excellent choice of lens for landscape photography, then, the Batis 18mm f/2.8 is also particularly well suited to night-sky photography – where the triad of a fast maximum aperture, exemplary image quality, and a wide angle of view make for a truly winning combination. Autofocus works brilliantly (and silently), too. The most notable of these being landscape photography. All images published at lensguide.io are either ours, authorized by the photographer, or published under creative commons commercial use license. Even at relatively small apertures. After a few months of really testing out the camera, I’ve come up with a list of the absolute best Sony A7iii accessories that have helped me accomplish shoots in a reliable and professional manner. But deliver it does. But it must be said that the Tamron doesn’t trail far behind. At least not where either spec or performance are concerned. What’s more, the Tamron is sturdily built and fully weather sealed (although precisely how it measures up to the GM on this front is not something we can realistically afford to test). Some lenses maintain a level of image sharpness not far removed from peak performance right through to their widest setting; while others become almost unusable if set to maximum aperture. If you do nab a good copy, it’s an amazing pick. Tamron’s 17-28mm f/2.8 wide-angle zoom offers great functionality and beautiful optical performance at a highly competitive price. Now You Can Buy The Revolutionary Scorpion LED Light in the US (Buy 4 Get 2 Extra FREE Lights), Here’s How to Pull Off This Insanely Cool 360-Degree Roll Angle Shot with the DJI Ronin-S, How to Get the Most Out of Your Panasonic GH5 When Shooting in Low Light, URSA Mini Pro 12K Gets Better Time Remaining Readout, Sony FE 35mm F1.4 G Master Lens Announced, How to Keep a Moving Object Centered in Premiere Pro 2020, Sony Vario-Tessar T* FE 16-35mm f/4 ZA OSS Lens (, Sony FE 100-400mm f/4.5-5.6 GM OSS Lens (. However, you should expect to see both noticeable corner-softness and vignetting when shooting at its widest aperture. Best Overall – Tamron 28-75mm F/2.8 Di III RXD. Peter Lindgren is here to give us a peek into his camera bag and the lenses he uses to get the most out of his Sony A7III. So a diaphragm setting that might blow the background out to a pleasing blur on a 50mm standard lens could leave much of the background relatively sharp and recognizable when used on, say, a 20mm lens. In any case, stabilization isn’t really necessary on such a short focal length. The best performers are the Sony FE Carl Zeiss Sonnar T* 55mm F1.8 ZA and the Sony FE 85mm F1.4 GM, which both scored an excellent 49 points. Sony FE 90mm f/2.8 Macro G OSS ($1,098): Perfect macro lens for Sony a7RIII! ... GOBE ND Filters - Sony a7iii Michelle Martinez. The last lens is a big one. And in this guide I will walk you through each of the main points to consider. This a good start to the list, because I think everyone should pick up a wide-angle lens sooner rather than later. Lenses for Sony a7III Comparison Table. Sony may lack some telephoto sports lenses, but a landscape shooter is flush with modern high quality options from Sony. 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